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While creative nonfiction is oriented toward fact, there are many ways that it borrows on fiction. A “true story” still requires plot, which is organized more meaningfully than actual events. If memory fails, the author invents the truth: picturing what clothes Mom was wearing or how the kitchen smelled or what "exactly" Dad said. The best writers aren’t shy about this creative necessity. Annie Dillard depicts an insect-poisoned frog skin on the bank of Tinker Creek when, in fact, she discovered the phenomenon in a book. James McBride takes on his dead mother’s point of view, letting her speak as if she is the narrator. In this presentation, I will describe the unique relationship of fact and imagination in memoirs and personal narrative essays.
Tim Bascom is the author of a novel, two collections of essays, and two prize-winning memoirs about years spent in East Africa as a youth: Chameleon Days and Running to the Fire. His essays have won editor’s prizes at The Missouri Review and Florida Review, also being selected for the anthologies Best Creative Nonfiction and Best American Travel Writing. His short fiction has appeared in journals such as Zone 3, Front Range Review, and Briar Cliff Review, where he won the 2021 Fiction Prize. Bascom received his MFA from the University of Iowa. He taught creative writing for 20 years at a college level, and he continues to teach workshops at the Iowa Summer Writing Festival. He currently directs the annual Kansas Book Festival.
Tim Bascom is the author of a novel, two collections of essays, and two prize-winning memoirs about years spent in East Africa as a youth: Chameleon Days and Running to the Fire. His essays have won editor’s prizes at The Missouri Review and Florida Review, also being selected for the anthologies Best Creative Nonfiction and Best American Travel Writing. His short fiction has appeared in journals such as Zone 3, Front Range Review, and Briar Cliff Review, where he won the 2021 Fiction Prize. Bascom received his MFA from the University of Iowa. He taught creative writing for 20 years at a college level, and he continues to teach workshops at the Iowa Summer Writing Festival. He currently directs the annual Kansas Book Festival.
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