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How to Write Emotion
Nonfiction, Fiction, Craft (skills and techiniques), Writing, Editing
Readers come to a story wanting to feel something. It’s our task as writers to remind them that they’re human and prone to all the complexities of joy and sorrow that comes with that. For better or worse, that doesn’t happen by accident. It’s not enough to simply write about something sad.
This workshop will break down techniques essential for delivering emotion within fiction and nonfiction that avoid cliché, melodrama or disengaging the reader. It will focus on preventing pitfalls that are common among beginning and experienced writers, as well as how to deliver prose that are original and stay with the reader once they leave the story. We’ll look at how the whole scene can be used to create emotion, as well as an examination of how to best use interior monologue.
In addition to exploring the dynamics of rural life in literature, Ryan also seeks to serve those communities more directly. In 2020 he founded The Milk House, an initiative to showcase the work of those writing on rural subjects in order to help them find greater audiences. Born on a farm in New York State but now living in the West of Ireland, he has been featured in numerous rural publications and programs, such as The Irish Farmers Journal and RTE’s Countrywide, addressing agricultural policy concerns. In 2021-2022 Ryan was selected as a Writer-in-Residence at Maynooth University. As part of the residency, he created and edited Voices from the Land, a collection of short stories, essays and poems by Irish farmers.